Jukebox

Aisyah Aziz (b. 1994, Singapore)

Bila Entah (When Who Knows)

2019

Song

1 Min Excerpt

Warner Music Group

In Bila Entah—which loosely translates to “When, who knows” —Aisyah Aziz offers a slow-burning, emotionally charged reflection on the uncertainty of love and the silence that follows heartbreak.... Released in 2017, the song marked a shift in her musical direction, embracing a more textured, soulful sound. With stripped-down production and aching vocal delivery, the track captures the suspended moment of waiting for something—or someone—that may never return.

Aisyah Aziz is a Singaporean singer-songwriter known for her emotionally nuanced voice and genre-blending style. First gaining public attention as a finalist on the reality TV show, Akademi Fantasia in Malaysia, she has since carved out a space as one of the most distinctive artists in the Malay-language music scene. Refusing to be boxed in by convention, Aisyah’s work spans indie pop, soul, and R&B, often paired with intimate lyricism. Bila Entah exemplifies her artistic maturity—quiet, fearless, and resonant in its restraint.

The Stylers (formed in 1960s, Singapore)

Chan Mali Chan

1977

Song

1 Min Excerpt

Warner Music Group

Often regarded as one of the most beloved folk tunes in the Malay Archipelago, Chan Mali Chan has long been embraced as an informal cultural anthem by Singaporeans. Performed by The Stylers during the height of their popularity in the 1960s,... their rendition of Chan Mali Chan infuses the traditional melody with elements of pop and rock, giving a fresh twist to a familiar classic. With playful call-and-response lyrics and a singalong rhythm, the song evokes kampong—village—life, courtship, and simple joys—themes that resonate deeply across generations. For many Singaporeans, Chan Mali Chan is more than a song, it’s a nostalgic marker of shared heritage and everyday harmony living in a multicultural society.

Formed in the early 1960s, The Stylers were a pioneering Singaporean band known for their versatility and instrumental finesse. Beyond performing their own music, they were highly sought after as a backing band for popular singers of the era, providing live and studio accompaniment for major names in the regional pop scene. The core lineup featured Chris Vadham on lead guitar, Rudy Tek on rhythm guitar, John Teo on bass, Michael Teo on drums, and Peter Thomas on keyboards. Their wide-ranging repertoire included English, Mandarin, Malay songs and instrumental tracks, making them a cornerstone of Singapore’s multi-ethnic music scene. By reinterpreting traditional tunes like Chan Mali Chan, The Stylers helped preserve cultural roots while making them accessible and exciting to a new generation. Their music remains an enduring part of Singapore’s golden age of pop.

Anita Sarawak (b. 1952, Singapore)

Copacabana (At The Copa)

1978

Song

1 Min Excerpt

Universal Music Group

Anita Sarawak's rendition of Copacabana (At The Copa) brings a vibrant and theatrical flair to American singer Barry Manilow's iconic 1978 hit. Sarawak’s version was released as part of her album Dancing in the City (1978), where she infuses the song with her dynamic vocal performance and charismatic stage presence.... The track tells the story of Lola, a showgirl at the famed New York Copacabana nightclub, and her tumultuous love affair with bartender Tony, set against the backdrop of a glamorous and tragic tale. Sarawak's interpretation captures the essence of the original song while adding her unique touch, making it a standout track on the album.

Anita Sarawak is a celebrated Singaporean-born singer, actress, and television host whose career has spanned several decades. Known for her powerful voice and charismatic performances, she gained prominence in the 1970s and 1980s with a series of successful albums and hit songs. Sarawak's versatility allowed her to perform in multiple languages and genres, earning her acclaim across Southeast Asia. Her involvement in the Dancing in the City album showcased her ability to reinterpret classic hits, bringing new life to beloved songs and solidifying her status as a prominent figure in the regional entertainment industry.

Kartina Dahari (1941–2014, Singapore)

Di Tanjong Katong (In Tanjong Katong)

1974

Song

1 Min Excerpt

Universal Music Group

Di Tanjong Katong is a cherished Singaporean Malay folk song composed of pantuns—traditional Malay four-line poems or quatrains, that convey longing and love. Kartina Dahari's rendition of this classic song showcases her emotive voice and deep connection to Singapore's cultural heritage.... The song's lyrics evoke nostalgia for the once-vibrant Tanjong Katong area, intertwining themes of love and separation. Kartina's interpretation has become emblematic of Singapore's rich musical landscape while preserving the essence of local folklore tunes.

Affectionally known as the “Queen of Keroncong,” — Keroncong is a ukelele-like instrument—Kartina Dahari was one of Singapore’s most celebrated Malay singers, admired for her vocals and charismatic presence. She rose to fame in the 1950s and 1960s and became popular in Singapore and Malaysia. Kartina was also a prominent television and radio personality, and she occasionally acted in Malay-language films, showcasing her versatility as an entertainer. As one of the first Malay singers in Singapore to record English songs, she broke new ground and expanded the local music scene. Her contributions to the arts earned her multiple national awards and a place in the Singapore Women’s Hall of Fame.

Dick Lee

Fried Rice Paradise

2017

Song

1 Min Excerpt

Warner Music Group

Written by Dick Lee in 1973, Fried Rice Paradise is an early showcase of Dick’s flair for blending local flavours with Western pop influences, creating a uniquely Singaporean musical identity. Bursting with energy and youthful defiance, the song reflects Dick’s desire to challenge societal norms and express himself through music at a time when rock and roll was frowned upon in Singapore.... Its catchy melody and playful mix of Singlish, Malay, and Chinese lyrics made it a standout in Dick’s early repertoire. Despite being banned on local radio upon its debut for using "improper English," the song has since become a beloved classic – appearing every National Day and proving its place in the heart of Singapore’s cultural landscape.

Over the decades, Fried Rice Paradise has been reimagined and revived in numerous forms, underscoring its lasting appeal. It first appeared as part of the stage musical Fried Rice Paradise in the late 1970s, and became a cult hit for its bold portrayal of local characters and settings. The song resurfaced in Lee’s 1990s musical, Wonderboy, a semi-autobiographical production tracing his journey as a budding songwriter. Following that, not only did it inspire a television drama series of the same name in 2010, but it was even remade into a feature film, receiving a fresh arrangement and performed by the cast of Wonder Boy, including local singer-actor Benjamin Kheng, introducing the iconic track to yet another generation. Most recently, the song returned to the stage in a new form through Fried Rice Paradise – The Makan Party, an interactive dinner theatre experience that blends food, music, and immersive storytelling, reinforcing the song’s importance to our Lion City.

Rahimah Rahim (b. 1955, Singapore)

Gadis Dan Bunga (Girl and Flowers)

1982

Song

1 Min Excerpt

Universal Music Group

Gadis Dan Bunga, performed by Rahimah Rahim, stands as a timeless classic in the Malay pop canon.
Written by the esteemed Singaporean composer... Johari Salleh, the song weaves a poignant narrative of dreams and youthful innocence through the metaphor of a girl who sells flowers while navigating the challenges in her life. Its elegant melody and heartfelt lyrics captured the imagination of listeners across Singapore and the region, cementing its place as an enduring anthem of hope, resilience, and the bittersweet journey of growing up.

Born in 1955, Rahimah Rahim is a celebrated Singaporean singer and actress whose career began with early acting roles and performances alongside her father. Her breakthrough came in 1974 when she won the prestigious Kim Koso Talentime, a renowned singing competition in Japan, launching her into the professional music scene. Throughout the 1980s, Rahimah released numerous successful albums, including Gadis Dan Bunga and Bebas (1984), both achieving gold status. She also represented Singapore at international music festivals, performing across Asia and beyond. After taking a hiatus in the late 1980s, Rahimah made a long-anticipated return in 2003 with the album Suatu Memori (A Memory), reaffirming her lasting impact on the region’s music landscape.

Naomi and The Boys (formed in 1960s, Singapore)

Happy, Happy Birthday, Baby

1965

Song

1 Min Excerpt

Universal Music Group

Released in 1965, Happy, Happy Birthday Baby is a cover of the same 1957 song by American vocal group, The Tune Weavers.
Lead singer Naomi Suriya's emotive vocals... combined with the band’s tight instrumentation, brought a fresh local flavour to this classic. The track became a chart-topping success in Singapore, Malaysia, and Indonesia, and was voted the best song of 1965 by the media. Its success marked a significant achievement for Singapore's pop music scene during the 1960s.

Naomi and The Boys was a prominent Singaporean pop group formed in the early 1960s. The original lineup featured Naomi Suriya (vocalist), Robert Suriya (lead guitarist), Peter Richards (guitarist), Moses Tay (bassist), and Joe Ahmad (drummer). Their debut single, It's All Over (1965) composed by Robert Suriya, quickly became a No. 1 hit in Singapore and Malaysia. Following this success, they released an extended play that included Happy, Happy Birthday Baby. The band's blend of original compositions and classic covers, along with their dynamic performances, solidified their place in Singapore's musical history.

Sakura Teng (b. 1948, Singapore)

牧童之歌 (I Don't Care If Tomorrow Never Comes)

Late 1970s

Song

1 Min Excerpt

Universal Music Group, Sony Music Entertainment

Released in the late 1970s, 牧童之歌 (I Don’t Care If Tomorrow Never Comes) is a poignant and heartfelt ballad performed by Sakura Teng.
The song blends traditional Chinese musical elements... with contemporary pop sensibilities, creating a reflective mood that resonates deeply with listeners. Its lyrical themes explore the fleeting nature of time and the importance of cherishing the present, evoking both nostalgia and hope. This track became a beloved classic in the Mandarin pop repertoire, showcasing the emotional depth and artistic versatility of Singapore’s early pop scene.

Sakura Teng is a celebrated Singaporean singer who rose to prominence during the golden age of Mandarin pop music (1970s to early 2000s). Notably, she shared the stage with fellow pioneer Rita Chao, both contributing to the rise of local female voices in Singapore’s evolving music industry. During her career, Teng was also a prominent figure at Mediacorp (formerly Radio Television Singapore), where she gained widespread recognition through her radio and television performances. Her graceful vocal style and emotive presence helped popularise Mandarin pop across Southeast Asia, bridging traditional Chinese melodies with contemporary influences.

Taufik Batisah (b. 1981, Singapore)

I Dream

2005

Song

1 Min Excerpt

Sony Music Entertainment

I Dream is a powerful ballad that became the winning song of the inaugural Singapore Idol competition.
Originally performed and popularised by Taufik Batisah... the song’s heartfelt lyrics and moving melody captured the spirit of hope, determination, and the pursuit of one’s dreams. Released as part of his debut album Blessings in 2005, I Dream showcased Taufik’s vocal strength and emotional expression. The album achieved double platinum status, selling over 36,000 copies, and holds the distinction of being the best-selling local English album of all time in Singapore’s history.

Taufik Batisah is a Singaporean singer and songwriter who rose to national fame as the first winner of Singapore Idol in 2004. Known for his smooth vocal style and captivating stage presence, he quickly established himself as a leading figure in the regional music scene. His debut album Blessings marked a significant milestone in his career, earning him numerous accolades and a devoted fanbase.

Tracy Huang (b. 1951, Taiwan)

If We Are Only Friends

1980

Song

1 Min Excerpt

Universal Music Group

Released as part of the album Songs of the 60's (1980), Tracy Huang's rendition of If We Are Only Friends stands as a testament to her vocal prowess and emotional depth.
The song, originally by French singer Françoise Hardy... was reimagined with a lush orchestral arrangement, capturing the melancholic yearning of unrequited love. Tracy's interpretation of the song resonated deeply with audiences, becoming one of her signature pieces.

Born in 1951 in Taiwan, Tracy Huang, known as 黃鶯鶯 (Huang Yingying), is a celebrated singer whose career spans several decades. Emerging in the late 1970s, she quickly became known for her emotive voice and ability to convey deep emotion through her performances. Her repertoire includes a mix of Mandarin pop and classic Western songs, often infused with her unique style. Over the years, Huang has released numerous albums and remains a beloved figure in the Mandarin-speaking world.

Sezairi Sezali (b. 1987, Singapore)

It's You

2020

Song

1 Min Excerpt

Sony Music Entertainment

It’s You is an emotional ballad that showcases Sezairi Sezali’s smooth vocals and heartfelt songwriting.
Released as part of his 2018 album If You Didn’t See Me... the song quickly gained popularity for its intimate lyrics and gentle melody, capturing the essence of love and longing. It’s You has become one of Sezairi’s signature songs, resonating deeply with fans across Singapore and the region.

Sezairi Sezali is a Singaporean singer-songwriter who rose to prominence after winning the inaugural season of popular Chinese singing competition Sing! China in 2018. Known for his soulful voice, Sezairi has established himself as a leading figure in Singapore’s contemporary music scene. His music blends elements of pop, soul, and folk, often highlighting themes of vulnerability and emotional connection. Beyond his singing career, Sezairi is also an advocate for mental health awareness, using his music platform to encourage openness and empathy.

Kit Chan (b. 1972, Singapore)

喜欢你 (Liking You)

1996

Song

1 Min Excerpt

Ocean Butterflies Music Pte. Ltd.

Released in 1996, 喜欢你 (“Liking You”) marked a significant milestone in Kit Chan’s early career, establishing her as a prominent voice in Mandarin pop music.
The song is a tender and heartfelt ballad... that beautifully expresses the gentle blossoming of affection. Chan’s clear and emotive vocals bring sincerity and warmth to the lyrics, inviting listeners into a moment of personal connection and vulnerability. With its memorable melody and relatable theme, 喜欢你 quickly became a fan favourite and remains a staple in her repertoire, reflecting the enduring appeal of 1990s Mandopop.

Kit Chan is one of Singapore’s most celebrated singers and performers, known for her emotive voice and dynamic stage presence. With a career spanning multiple decades, she has become a defining figure in the Mandopop scene, admired for her ability to convey deep emotion and authenticity through her music. Beyond singing, Kit has contributed significantly to theatre and public service, establishing herself as a versatile artist and cultural ambassador.

Stefanie Sun (b. 1978, Singapore)

神奇 (Magical)

2003

Song

1 Min Excerpt

Warner Music Group

A standout track from Stefanie Sun’s 2003 album 未完成 To Be Continued..., 神奇 blends contemporary Mandopop with unexpected South Asian musical influences,
resulting in a track that is as daring as it is catchy.... The song’s title, which translates to “Magical”, captures its eclectic energy and sense of playful wonder. With its bold rhythm, colourful instrumentation, and cross-cultural flair, 神奇 marked a turning point in Sun’s vocals—showcasing her willingness to take artistic risks and redefine her musical identity at the height of her career. The accompanying music video, featuring Indian-inspired choreography, added to the track’s visual and sonic distinctiveness, setting it apart within her discography.

Stefanie Sun, also known as 孙燕姿 (Sun Yanzi), is one of Singapore’s musical icons, known for her emotive voice, down-to-earth presence, and deep resonance with audiences across Asia. Emerging in 2000 with a fresh voice in Mandarin pop, Sun quickly became a household name. Her ability to evolve artistically—while staying true to her introspective songwriting and vocal sincerity—has earned her numerous accolades and long-standing regional popularity. 神奇 exemplifies her curiosity as a musician and her openness to bridging cultures and sounds in new and meaningful ways.

Abdul Rahman M. Kotharey (Singapore) and Barakath Nisha (Singapore)

Munnaeru Vaalibaa (Advance, Young Man)

1996

Song

1 Min Excerpt

National Arts Council

Munnaeru Vaalibaa is a vibrant Tamil-language track featured on the 1996 album My Generation, My Music: Songfest '96. Performed by Abdul Rahman M. Kotharey and Barakath Nisha, the song reflects the multicultural tapestry of Singapore through its lively melody and engaging lyrics.... The composition, arranged by Singaporean composer Iskandar Ismail, blends traditional Tamil musical elements with contemporary pop influences, creating a fusion that resonates with a diverse audience. The track's inclusion in the album underscores the Singapore National Arts Council's commitment to showcasing the rich musical heritage of Singapore's various communities.

Abdul Rahman M. Kotharey and Barakath Nisha are Singapore-based artistes known for their contributions to the local Tamil music scene. Their collaboration on Munnaeru Vaalibaa highlights their artistic synergy and dedication to preserving and promoting Tamil musical traditions. While detailed biographical information on both artists is limited, their participation in Songfest '96 signifies their active involvement in Singapore's vibrant music community.

Vocaluptuous

My Old Hometown Katong

2022

Song

1 Min Excerpt

The song, My Old Hometown Katong, was written by John Lee and Peter Lee as a loving tribute to a place that is near and dear to all Singaporean hearts. Evoking warmth, nostalgia, and quiet pride, it captures the essence of life in Singapore.... Released in 2008 as part of Vocaluptuous’ album featuring original songs by Singaporeans, the song has been featured in various national showcases, including the “Songs of Singapore” edition of Garden Rhapsody at Gardens by the Bay. Celebrating beloved flavours and sights—from the famous Roxy Square’s Laksa to the nearby East Coast Park—My Old Hometown Katong reflects the group’s commitment to artistic expression and a distinctly Singaporean identity.

One of Singapore’s pioneering a cappella ensembles, Vocaluptuous was founded in 1997 by Andy Kwek and has been led by Simone Khoo and music director John Lee since 1999. Known for its evolving sound—now blending lush pop and jazz with local cultural influences—Vocaluptuous has carved a unique place in Singapore’s music scene. From starring in Singapore’s first a cappella musical to releasing three well-received albums (All Wrapped Up, Notes from an Island, and ’Tis the Season), and representing the nation on international stages, Vocaluptuous remains a resonant voice of the Lion City.

Dick Lee (b. 1956, Singapore), Moe Alkaff (b. 1963, Singapore), Leslie Pillay (b. 1963, Singapore) and Rizal Ahyar (Singapore)

Rasa Sayang (Feeling of Love)

1989

Song

1 Min Excerpt

Warner Music Group

Released in 1989 as part of The Mad Chinaman album, Dick Lee’s rendition of Rasa Sayang reimagines the traditional Malay folk song about love and affection with a contemporary twist.
Incorporating rap and modern instrumentation, the track tells a playful yet poignant story of Singapore's cultural evolution.... The song's infectious rhythm and witty lyrics, delivered by Lee alongside Moe Alkaff, Leslie Pillay, and Rizal Ahyar, captured the essence of a nation embracing its multicultural identity. Rasa Sayang became a standout track on the album, resonating with audiences and contributing to the album's platinum success in Singapore.

Dick Lee is a prominent Singaporean singer, songwriter, and composer renowned for his innovative approach to music. With a career spanning several decades, Lee has been instrumental in shaping Singapore's contemporary music scene. His work often explores themes of cultural identity and social commentary, blending Western and Asian musical influences. The Mad Chinaman marked a significant milestone in his career, showcasing his ability to fuse traditional elements with modern sounds, and solidifying his status as a leading figure in the region’s music industry.

Gingerbread (formed in 1970s, Singapore)

Roses

1985

Song

1 Min Excerpt

Warner Music Group

Released in 1985 on the Class Acts compilation album to celebrate Singapore’s music scene in the 1990s, Roses is a poignant ballad by Singaporean band Gingerbread. The song delves into themes of love and heartbreak, reflecting the complexities of relationships.... Gingerbread, known for their soulful melodies and heartfelt lyrics, brought a unique local flavour to the English-language pop scene in Singapore during the 1980s.

The group included Ann Hussein (vocalist and keyboardist), Shahul Hameed (drummer and band leader), Dudley Nonis (keyboardist), Raffy Aspier (bassist and vocalist), and Moses Vadham (bassist and vocalist). Their music resonated with a wide audience, and they were known for their engaging live performances. Tracks like Roses and Ku Cari Damai Di Hati (2003) became classics, solidifying their place in Singapore's musical history. In 2014, Gingerbread reunited for a special performance at the Esplanade Concert Hall, celebrating their enduring legacy in the local music scene.

Western Union Band (formed in 1970s, Singapore)

Sausalito

1972

Song

1 Min Excerpt

Libra Records

With its breezy melody and unmistakable 1970s charm, Sausalito became a breakout hit for the Western Union Band shortly after its release in 1972.
Drawing its name from a coastal town in California, the song captured a wistful sense of distance and yearning... sentiments that resonated widely with Southeast Asian audiences. In Malaysia, Sausalito soared to the top of the charts, where it held strong for multiple weeks, and it remains one of the region’s most memorable English-language tracks of the decade. The song’s clean arrangement, warm vocals, and easy-going rhythm made it instantly radio-friendly, while its theme of homesickness and belonging struck a lasting emotional chord.

The Western Union Band emerged from Singapore’s live music circuit in the early 1970s, quickly becoming one of the region’s most popular and versatile English-language acts. Formed by musicians with roots in both the local and international music scenes, the group featured Chris Vadham on vocals and guitar, along with members like Abel Gan, Danny Lim, Peter Mangkok, and Daniel Wee—each bringing a unique influence to the band’s evolving sound. Known for their tight instrumentation and polished performances, the band regularly played at clubs and hotels throughout Singapore and across the region. While they produced several well-loved songs, it was Sausalito that defined their legacy, a song that blended Western pop sensibilities with the heartfelt storytelling of a region in motion.

Unknown children

Semoga Bahagia (May You Be Happy)

c. 1960s

Song

1 Min Excerpt

Semoga Bahagia is a beloved song in Singapore, originally composed in 1955 by the late Zubir Said (1907–1987).
In 1961, Semoga Bahagia was selected by the Ministry of Education as the official Children’s Day song, symbolising hopes for happiness and well-being among the young generation.... The song first appeared on the silver screen of the 1955 Malay film, Selamat Tinggal Kekaseh-ku (Goodbye My Lover)—and tells the story of love that started from a childhood friendship. Today, this song evokes memories of growing up in Singapore with scenes of school life, neighbourhood games, and the simple joys of youth.

Zubir Said is best known for composing Singapore’s national anthem, Majulah Singapura (1958). Despite having little formal music training, he wrote over 1,500 songs throughout his lifetime, earning him multiple awards and recognition for his contributions to the nation. Zubir Said Drive, where the School of the Arts (SOTA), Singapore, now stands, is a landmark that highlights his lasting influence on future generations of local musicians.

The Quests (formed in 1961, Singapore)

Shanty

1964

Song

1 Min Excerpt

Universal Music Group

Released in 1964, Shanty is an instrumental track composed by The Quests’ bassist Henry Chua.
The song became a landmark hit in Singapore’s music history, reaching No. 1 in the local charts and notably displacing The Beatles’ I Should Have Known Better (1964).... This achievement marked the first time a local band topped the charts, highlighting The Quests' rising influence during a vibrant period for Singaporean pop music.

Formed in 1961, The Quests were a trailblazing Singaporean pop band known for their original songs and energetic performances. The core lineup featured Chong Chow Pin (lead guitarist and vocalist), Henry Chua (bassist), Vernon Cornelius (rhythm guitarist), Raymond Leong (keyboardist), and Tony Chong (drummer). Signed to EMI Records, they released several successful albums, including Questing in 1966—the first full English-language album by a local band. Their innovative sound and charisma allowed them to become one of Southeast Asia’s most beloved rock groups, influencing generations of musicians across the region.

The Crescendos (formed in 1961, Singapore)

Silver Threads and Golden Needles

1965

Song

1 Min Excerpt

Universal Music Group

The American country song, Silver Threads and Golden Needles was reinterpreted by The Crescendos during the 1960s.
Their version, released under Philips Records—the first international label to sign a Singaporean pop group—featured the group’s trademark harmonies and lead singer Susan Lim’s expressive vocals,... brought a fresh local take to the Western classic. The song’s themes of heartbreak and resilience resonated with listeners, marking a proud moment in Singapore’s early pop music history and reflecting the era’s growing appetite for cross-cultural musical exchange.

Formed in 1961 by St. Patrick’s School classmates John Chee (bassist), Leslie Chia (guitarist), and Raymond Ho (drummer), The Crescendos quickly rose to fame as one of Singapore’s first English-language pop groups. The addition of lead vocalist Susan Lim brought a distinctive voice and charisma that became central to their sound. The band signing with Philips Records marked a milestone for local music, with their hit Mr. Twister (1963) becoming a local chart-topper. The band’s promising rise was tragically cut short in 1970 with the untimely death of Susan Lim, but The Crescendos were remembered as one of the first bands to help shape Singapore’s early pop music identity.

Matthew and The Mandarins (formed in 1961, Singapore)

Singapore Cowboy

1978

Song

1 Min Excerpt

Universal Music Group

Singapore Cowboy is a standout track by Singapore's pioneering country band, Matthew and The Mandarins.
Composed by Matthew Tan and Bristow Hopper, the song humorously narrates the tale of a Singaporean cowboy yearning to be in Nashville, USA, blending local identity with classic country music themes.... The song achieved significant success, selling over 30,000 copies and earning Tan an Asia-Pacific Lifetime Achievement Award at the Canberra Country Blues and Roots Festival in 2004.

Formed in 1961 by Matthew Tan, Matthew and The Mandarins are Singapore's premier country music ensemble. Tan was inspired by American country musicians and led the band to prominence in the 1970s, performing in Singapore and internationally. Their 1978 hit Singapore Cowboy topped local charts, with the band becoming the first Singaporean act to perform at the Grand Ole Opry in Nashville. Matthew and The Mandarins continues to perform, preserving and evolving Singapore's country music legacy.

Sandra Reemer (1950–2017, Amsterdam)

Singapura (Lion City)

1977

Song

1 Min Excerpt

Universal Music Group

Singapura is a vibrant and evocative folk-inspired song performed by Sandra Reemer, celebrating the spirit and identity of Singapore.
Drawing from traditional melodic elements common in Southeast Asian folk music, the track blends these with contemporary pop elements to create a warm and inviting tune.... Its catchy melody and uplifting rhythm capture the optimism and multicultural richness of the city-state during a period of rapid growth and transformation. The lyrics reflect a deep pride in Singapore’s heritage and the harmonious co-existence of its diverse communities, making Singapura a heartfelt anthem that resonates with both locals and listeners across the region. The song remains an enduring tribute to Singapore’s journey toward modernity and unity.

Sandra Reemer was a Dutch singer of Indonesian descent who became a well-known figure in the European music scene during the 1970s and 1980s. With a career spanning several countries and multiple languages, she represented the Netherlands multiple times in the Eurovision Song Contest, showcasing her versatile vocal talent and charismatic stage presence. Her connection to Singapore and Southeast Asia through songs like Singapura highlights her unique cross-cultural appeal. Sandra’s contributions helped bridge musical worlds, and she is remembered as a pioneering artist who celebrated cultural diversity through her music.

The Sam Willows (formed in 2011, Singapore)

Take Heart

2015

Song

1 Min Excerpt

Sony Music Entertainment

Take Heart is an uplifting song by Singaporean indie-pop band The Sam Willows. The song blends catchy melodies with heartfelt lyrics that encourage resilience and optimism in the face of life’s challenges.
Its vibrant instrumentation and energetic delivery highlight the band’s signature sound—a seamless fusion of pop, folk, and indie influences.... Take Heart quickly became a fan favourite and a staple in the local music scene, symbolising hope and courage for many listeners.

The Sam Willows is a Singaporean band known for their harmonious vocals, rich instrumentation, and genre-blending style. Comprising members Benjamin Kheng, Narelle Kheng, Sandra Riley Tang, and Jon Chua, the group has been influential in putting Singapore’s indie music scene on the regional map. Their music often features themes of love, self-discovery, and resilience, resonating with a broad audience across Southeast Asia. Over the years, The Sam Willows have garnered multiple awards and performed on international stages, solidifying their place as one of Singapore’s most prominent contemporary bands.

SHIGGA SHAY (b. 1992, Singapore)

Tapau (To Takeaway)

2015

Song

1 Min Excerpt

Drink Entertainment

Laced with swagger, local flavour, and razor-sharp wordplay, Tapau by SHIGGA SHAY is a bold celebration of Singaporean identity through hip-hop.
Released as part of the soundtrack for local filmmaker Royston Tan’s film 3688 (2015), the track takes its title from the colloquial Singlish word tapau, meaning to take away food... —a phrase commonly used in hawker centres and everyday life across Singapore. In SHIGGA SHAY’s song the term becomes a metaphor for domination, confidence, and owning one’s space, whether on stage or in the streets. The infectious beat, peppered with Singlish and local dialects, struck a chord with listeners, cementing it as an anthem of urban pride and cultural self-expression.

SHIGGA SHAY is the stage name for Jin Pek who stands at the forefront of a new generation of Singaporean artistes gaining recognition beyond national borders. Known for his sharp lyricism and multilingual flow, he blends English, Mandarin, Hokkien, and Singlish, offering a sound that is both globally relevant and deeply rooted in the local vernacular. As one of the few contemporary Singaporean acts to perform on international stages—including Rolling Loud, Formula 1, and Rap of China—SHIGGA SHAY is redefining what it means to be a global artiste from Singapore. With tracks like Tapau, he proves that authentic local stories, told with style and skill, can resonate far beyond the city-state.

Yung Raja (b. 1995, Singapore)

The Dance Song

2020

Song

1 Min Excerpt

Universal Music Group

The Dance Song by Yung Raja is a vibrant and energetic track that blends hip-hop with traditional Tamil musical influences, showcasing the artist’s unique style and cultural roots.
Released in 2020, the song quickly gained attention for its infectious rhythm, witty lyrics, and bold fusion of East and West... With clever lyrical wordplay, Yung Raja pushes boundaries in Singapore’s music scene, challenging stereotypes and bringing a fresh voice to the local hip-hop genre. The Dance Song exemplifies his ability to marry contemporary sounds with cultural identity, appealing to a wide and diverse audience.

Yung Raja is a Singaporean rapper and songwriter known for his distinctive blend of Tamil rap, English lyrics, and social commentary. Rising to fame through viral tracks and captivating performances, he represents a new generation of artistes pushing Singaporean music into global conversations. Yung Raja’s work often explores themes of identity, culture, and urban life, all delivered with sharp wit and creativity. His innovative approach has earned him recognition both locally and internationally, making him one of Singapore’s most exciting and influential emerging talents.

JJ Lin (b. 1981, Singapore)

不为谁而作的歌 (Twilight)

2015

Song

1 Min Excerpt

Warner Music Group

Featured on JJ Lin’s introspective 2015 album From M.E. to Myself, 不为谁而作的歌 (also known as Twilight) is a beautiful melancholic ballad that explores themes of longing, loss, and the passage of time.
Delivered with JJ’s signature emotional intensity, the song is anchored by sparse, atmospheric production and a delicate piano line... that lets the vocals take centre stage. Twilight captures the quiet ache of fading moments and unspoken words, showcasing JJ’s gift for crafting music that is both deeply personal and universally resonant.

JJ Lin, more famously known in the Mandarin music world as 林俊傑 (Lin Junjie), is a Singaporean singer-songwriter and producer who has become one of the most respected figures in the Mandopop world. Known for his soaring vocals, lyrical depth, and innovative approach to production, JJ’s music often blends classical influences with modern pop sensibilities. From M.E. to Myself marked a creative milestone in his career, as he took full control of the album’s production—building an auditory world that reflected his internal landscape.

Shabir Sulthan (b. 1985, Singapore), Yogi B (b. 1974, Malaysia), Eugenia Yip (b. 1989, Singapore)

Vettai 5

2022

Song

1 Min Excerpt

Mediacorp, Singapore

There was no question when the theme song for Season 5 of Vettai—a Singapore Tamil language television series—won the title of Best Original Track at the prestigious annual Pradhana Vizha Awards in 2022.
Breaking away from the conventional use of theme songs as background tracks to set the mood, Vettai 5 made its name as a cultural hit and a powerful anthem for many.... When the Vettai TV series was released in 2010, it became a phenomenal hit among the youth in Singapore and was even bootlegged across Johor Bahru, Malaysia. Over a decade later, Vettai continues to be a cultural phenomenon for the Singapore Tamil media fraternity and Indian community.

Shabir Sulthan is a Singaporean singer, composer, and producer renowned for his work in Tamil music and film scoring. Alongside the seven films in his back catalogue, his versatile voice and modern sound have made him a key figure in elevating Singaporean Tamil music to wider audiences.

Yogi B, widely regarded as the godfather of Tamil hip-hop and rap, played a pivotal role in popularising the genre across Southeast Asia. Known for his sharp lyricism and groundbreaking style, his influence has shaped generations of artists and left an enduring legacy in the region's music landscape.

Eugenia Yip is a Singaporean vocalist known for her rich, soulful voice and emotive performances, adding depth and texture to the collaboration.

Together, these artistes exemplify the cross-border cultural exchange and creativity that enrich the Tamil music landscape today.

Tokyo Square (formed in 1984, Singapore)

Within You'll Remain

1985

Song

1 Min Excerpt

Warner Music Group

Within You’ll Remain by Tokyo Square became an unexpected regional hit. The song's fusion of Western soft rock with traditional Chinese elements, such as the gu zheng, a plucked zither, created a unique and captivating sound that stood out in the local music scene.
Initially gaining traction in Thailand, where it topped the pop charts in early 1986, the song's popularity soon spread to Singapore.... It remained on Rediffusion's Top 10 list for 5 consecutive weeks, marking a significant achievement for a local band. The track's success was further amplified by its inclusion in the Singaporean band compilation album Class Acts (1985), which sold over 23,000 copies within 3 months of release and went on to achieve platinum status with 500,000 units sold over the years.

This remarkable success not only showcased the band's talent but also highlighted the growing appeal of Singaporean music on the regional stage.

Tokyo Square was a Singaporean band formed in 1984, known for their distinctive blend of Western and Asian musical influences. Led by singer Max Surin and his sister Linda Elizabeth, the band quickly gained popularity with their emotive performances and innovative sound.

The band's success was further solidified by their performances at major events, including the 1986 National Day Parade, where they became the first rock group to perform before the parade, captivating an audience of 50,000 with their rendition of Within You’ll Remain.

Rita Chao (1950–2014, Singapore)

Wooly Bully

1965

Song

1 Min Excerpt

Universal Music Group, Sony Music Entertainment

Wooly Bully is a lively and infectious rock and roll track performed by Singaporean singer Rita Chao. Adapted from the original song by American rock and roll band, Sam the Sham and the Pharaohs, the song captures the upbeat spirit of the 1960s with its catchy rhythm and playful lyrics.
Its energetic melody and danceable beat made it a favourite in Singapore’s burgeoning pop scene... reflecting a youthful exuberance and cultural openness to Western rock influences, Wooly Bully remains a nostalgic anthem that highlights the fusion of local talent with global music trends during a transformative era in Singapore’s music history.

Born in Singapore, Rita Chao is a pioneering figure in the country’s music history, known for her distinctive voice and charismatic stage presence. Rising to fame in the 1960s, she became one of the first local artists to embrace and popularise Western pop and rock genres within the region.

Throughout her career, Rita released numerous singles that showcased her versatility and appeal, contributing significantly to the shaping of Singapore’s modern music identity.